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Dianne Jacob, Will Write For Food

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Want More Work? Get into Video, Advises Chow’s Jane Goldman

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Jane Goldman doesn’t mince words. When I asked Chow.com’s head eater whether food writers can make a living, she suggested finding another profession. Ouch!

At least she has a suggestion: Learn video.

Now the vice president and editor-in-chief of CBS Interactive’s Entertainment and Lifestyle division, Goldman was a writer and editor in the past, including for the Industry Standard, New York, Rolling Stone, and Wired. She has also been a screenwriter and producer.

Goldman founded Chow as a print magazine in 2004. CNET acquired it in 2006, along with Chowhound.com, and turned it into an online site. CBS Interactive Media acquired both in 2008. There are 3,000 to 5,000 recipes on the site.

I spoke with her about the opportunities for food writers at Chow.com and beyond:

Q. What are your responsibilities at Chow?

A. I’m the combination publisher and editor, responsible for the budget. Ad sales people do not report to me but I am obviously implicated in the bottom line. I run the operation, engineers, product people, designers, writers, editors, and recipe developers.

Q. What is Chow doing that’s different from other food websites?

A. Our attitude, the demographic and the reason we exist stay the same: to provide an informal, intelligent, irreverent voice in the world of food. It’s about beautiful food but it’s about having fun.

We’re moving very heavy into video series. We have one I love called [Read more…] about Want More Work? Get into Video, Advises Chow’s Jane Goldman

Is Food Writing a Dismal Way to Make a Living?

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Your career ladder. Do you know what's on the other side?

Recently Amanda Hesser, co-founder of Food52 and a former New York Times food writer, said in Advice for Future Food Writers she could “no longer responsibly recommend that you drop everything to try to become a food writer.”

“Except for a very small group of people (some of whom are clinging to jobs at magazines that pay more than the magazines’ business models can actually afford), it’s nearly impossible to make a living as a food writer, and I think it’s only going to get worse,” Hesser concludes.

To which I would say, for most of us, it has been nearly impossible to make a decent living as a food writer for several decades. But here’s the thing: we’re still at it, enjoying ourselves.

And that’s our dirty little secret. Food writing is fun, no matter how much or whether we’re paid.

Hesser’s article offers lots of good numbers on what food writers make. Now, here are my three tiers of how to categorize ourselves. Recognize yourself in any of these?

Tier 1. Employees at national publications and big web names (5 percent)

These food writers and editors make a high five-to-six-figure living at a few big newspapers and national magazines, with expense accounts and excellent [Read more…] about Is Food Writing a Dismal Way to Make a Living?

7 Things I Learned at the IACP Annual Conference

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Four days of networking, learning and fun in New York at hotels, offices and cooking schools. (Photo by Damian Brandon)

I’m back from a packed schedule of classes, meetings, cooking demos, expos and parties at the International Association of Culinary Professionals annual conference, held in New York.

I taught at a class beforehand, zoomed around the city, saw friends and colleagues, met new people, learned about our industry, ate too much, and laughed with my roomies. Here are my seven takeaways:

1. Yes, you can make money as a food blogger. While the panelists refused to say how much, public relations people and marketing folks said they hire food bloggers and cookbook writers as brand ambassadors, recipe developers, event planners — and to write [Read more…] about 7 Things I Learned at the IACP Annual Conference

In Love with Reinvention

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At a March writing workshop with food bloggers in Liz Schmitt’s San Diego home (Photo courtesy of Averie Sunshine of Averie Cooks)

Reinvention keeps me in love with my career. It gives me the ability to shape my work into what interests me. So far I’ve had lots of inventions, since graduating from journalism school decades ago. I’ve been a

  • newspaper reporter and editor
  • magazine editor
  • interactive book editor
  • freelance writer
  • website designer
  • book author
  • book collaborator
  • manuscript editor
  • blogger
  • teacher
  • speaker.

And I’m just getting started. It’s a privilege to work this way, and I know it. Not everyone gets to go off in new directions.

But you probably do it too as a food writer. Your career might include cooking teacher, caterer, photographer, food stylist, and writer-of-other-content-that-actually-pays-decently (a broad category). Or maybe it’s the other way around: you have a day job, and food writing is [Read more…] about In Love with Reinvention

Food Writer’s New Source of Income: A Game Show

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Cookbook author Greg Patent

When people say they want to write about food I’m always making suggestions like:

  • Don’t quit your day job
  • Find a patron
  • Win the lottery
  • Don’t write for free
  • Supplement your income with other food-related jobs like catering and teaching cooking classes.

But I’ve never heard this way to make money as a food writer: Compete as a contestant on the national American game show, Wheel of Fortune.

That’s exactly what cookbook author and freelance writer Greg Patent did on Friday night. A puzzle freak and watcher of the game show since 1975, Patent auditioned when [Read more…] about Food Writer’s New Source of Income: A Game Show

Farewell to Ruth Reichl’s Gourmet

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Gourmet-MagazineThis morning I was so preoccupied by Gourmet magazine’s closing that I blurted out the news at my 8 a.m. aerobics class. The instructor said she always read it at the dentist’s office,  after People. “Maybe I should have read Gourmet first,” she allowed. Someone in the crowd said Saturn was closing, and the conversation turned. They didn’t know that Twitter and my email were abuzz with the news.

I can’t say I’ve read it forever, but being a journalist, I loved Gourmet as soon as Ruth Reichl became the editor in 1999. I looked forward to how the former newspaperwoman made her mark. I liked the messy photos of half-eaten food, the long literary narratives, the smart farm-to-table conversations, sensuous travel narratives, and the occasional political and green living pieces.

In her editorial this month, she reflects on her first issue 10 years ago,  amazed at the staying power of two new chefs: Thomas Keller and Ferran Adria. How satisfying to be right about their popularity.

Typical of the brutal world of publishing, she didn’t know until today. She tweeted Saturday: “Foggy fall afternoon. Cup of lemon tea. Outside the window a deer is munching on the lawn. About to start the Saturday puzzle. Happy.” Then just now: “Thank you all SO much for this outpouring of support. It means a lot. Sorry not to be posting now, but I’m packing. We’re all stunned, sad.”

While the Gourmet brand of television and its own cookbooks will continue (see Reichl’s letter on Amazon),  this is also a sad day for all the freelance writers who long to be published  in the magazine, in long, beautifully-written narratives they could exclaim over when the magazine hit the newsstand. These days Gourmet wins more awards for the Gourmet website, where the short subject is king and much of the content is repurposed from the magazine.

Reichl has been a cook, restaurant reviewer, memoirist, cookbook editor, website editor and television producer. She’ll certainly survive and thrive. I hope she’ll always be remembered as the editor who tried to make the magazine the New Yorker of food. I think she succeeded.